MPC Data Lab scanning services for 35mm & 16mm film

MPC Data Lab scans 35mm and 16mm film

MPC Data Lab provide a full service for those wishing to film on 16mm and 35mm film. Despite a move towards 4K and digital production in recent years, there is still a strong case for shooting on film in a variety of scenarios.

The Data Lab has scanned projects ranging from feature length documentaries, VFX fuelled commercials, high-end fashion films and a huge range of TVC’s and music promos.

A selection of recent projects scanned and graded include:

John Lewis ‘Never Standing Still’

Agency: adam&eveDDB
Director: Dougal Wilson @ Blink
Colourist: Jean-Clément Soret 

Shot on a variety of formats including Alexa, Canon 7D and 16mm film.

KFC ‘The Bus’

Agency: BBH
Director: Benito Montorio @ Blink
Colourist: 
Jean-Clément Soret

Shot on 35mm

Citizen ‘Better Starts Now’

Agency: Wieden+Kennedy Tokyo & Amsterdam
Director: Johan Kramer @ 100%Halal
Colourist: 
Jean-Clément Soret

Filmed using the respective camera for the era being portrayed- from a 1930’s hand cranked 35mm to a 1980’s VHS camera.

Edwyn Collins ‘The Possibilities are Endless’

Directors: Edward Lovelace & James Hall
Colourist: James Tillett

Shot on 35mm

Rudimental ‘Powerless’

Director: David Edwards @ Rattling Stick
Colourist: George K

Shot on a combination of Alexa and 16mm

First Direct ‘Platypus’

Agency: JWT London
Director: Dom & Nic
Colourist: 
Jean-Clément Soret

Shot on 35mm

As part of our scanning service MPC also offer digitizing for archive purposes and have recently completed a project for the National Film Archive of Iceland.

 

Our global family of studios are all permanently connected and networked through an integrated production pipeline, allowing our team of artists and technologists to work closely together on shared projects whether they are in the same building or working remotely from separate locations.